The City in Crimson Cloak

Özgür is poor, hungry, and on the verge of a mental breakdown, with only one weapon against Rio: to write the city that has robbed her of everything. Reading the bits and pieces of Özgür’s unfinished eponymous novel, with its autobiographical protagonist named Ö, Özgür’s story begins to emerge. Meanwhile, the narrator limns a single day of Özgür’s life, which is in fact her last. As Özgür follows Ö through the shanty towns, Condomble rituals, and the violence and sexuality of the streets to her own death, the narrator searches for a way to make peace with life, a route to catharsis. The two concentric novels, the borderline between the two Rio’s — Özgür’s Rio as a metaphor for death and Rio as life — begin to blur. Asli Erdogan’s brilliantly evocative, experimental second novel was a major hit in Turkey and Europe. Now available in translation, the book does for Rio what Joyce did for Dublin.

168 pages

Published September 30th 2007 by Soft Skull Press

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La Ville dont la cape est rouge

Ozgür, a young student from Istanbul, arrives one day in Rio thinking she will be staying with an academic. A taxi takes her to the address indicated, where, unfortunately, she is not expected. Alone in this city overflowing with sensuality but also terror, she decides to stay. And so begins for her an initiation through the fall.

Every day, violence draws closer and poverty suffocates her, but Ozgür pushes back fear, circumvents death, then tames it. Every day, vertigo draws her, towards the depths, towards the very heart of Rio de Janeiro, a sublime labyrinth hiding behind its carnival mask a monstrous creature that will reveal the young woman to herself: she will write a book.

A hymn to the fragility of man in his own hell, The City Whose Cape is Red was hailed, upon its publication in 1998, as a masterpiece.

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